And now for something extra loud

Do Like a Duck Does
By Judy Hindley
Illustrated by Ivan Bates
2002, Candlewick Press

A happy accident brought this super-fun book into our lives.

Leery of lugging a proper selection of storybooks on a cross-country flight, we asked Grandpa Ed to keep an eye out for kids' titles on his normal thrift-store rounds.

He arrived for our shared vacation with, bless his heart, a hefty cardboard box that Rosie happily plundered for most of the week. She enjoys any new book, but it quickly became clear that "Do Like a Duck Does" stood bill and tail feathers above the rest.

This book is a joy to read aloud, combining perfectly paced rhyme with a comic storyline just right for toddlers (one so exciting, in fact, that you may choose to reserve it for non-bedtime readings). Rosie screams in delight as an ill-intentioned fox falls in with a line of ducklings, trying to convince their skeptical mother that he too has wings and waddles.

Bate's illustrations add oodles of character -- softening the fox's menace with buffoonery, and gracing crafty Mama Duck with considerable pluck:

"Look!" says Mama.
"What a lovely patch of muck!
Jump in the puddle, dear.
Show you're a duck!
Lots of bugs and beetles
swimming in the scum.
Open up your beak, dear.
Yum!
Yum!
Yum!"...

Making friends with books

"Blueberries for Sal"
by Robert McCloskey
1948, the Viking Press
Paperback by Puffin Books
A Caldecott Honor book

Beloved picture books tend to present writing so spare that a child's imagination must swell to fill them. These stories aren't lectures, they're friendships, requiring willing participation from the second party. And that means that some also prove acquired tastes, pushed aside in repeated disinterest until the moment some mysterious sea change prompts favored status.

We brought home a copy of "Blueberries for Sal" a few weeks ago, and I was charmed to page through its quiet meanderings, laid out in restrained pen-and-ink drawings. Still, the book didn't do much for Rosie, who made clear her disdain through a sudden display of fascination with her toenails.

A week in Maine changed everything.

Maybe it was the extra story time during lazy afternoons at the coastal cabin where we shared with her grandparents. Or perhaps the blueberry-rich banana bread that stained our teeth all week. Either way, the deal must have been cemented that last clear morning, as we lounged in Adirondack chairs watching diamonds bounce off the Sheepscot River, and Rosie's grandmother helped her pluck two small orbs from a last, lonely blueberry plant. Both were instantly stuffed into her mouth.

What could be sweeter?

Little Sal hurried ahead and dropped a blueberry in
her mother's pail. It didn't sound kuplink! because the
bottom of the pail was already covered with berries. She
reached down inside to get her berry back. Though she
really didn't mean to, she pulled out a large handful,
because there were so many blueberries right up close to
the one she had put in...

Urban birds in love

Fly High, Fly Low
by Don Freeman
1957, Viking Books
(Puffin paperback, 2007)
A Caldecott Honor book

I've long had a thing for pigeons -- stoic commuters who seem to inhabit a world of their own, just below the scope of our ordinary notice. People don't bother with these urban birds much, and they return the favor, barely bothering to glance over their feathered shoulders as they dodge looming cars or passing joggers.

People? Whatever. Pigeons have things to do, places to go.

My daughter admires them too, exclaiming "Oh, birdie!" at each sighting, as awed as if she had spotted some rare egret. Given an expanse of grass she will run at them till they grow concerned enough to take flight -- which for a pigeon is quite concerned indeed, equivalent to at least an orange alert. Even then, they don't go far and Rosie waits happily for them to touch back down.

Lately, she has learned to flap her arms as she runs, declaring, "I'm flying."

So the timing was perfect for us to discover this whimsical avian romance, nestled amid the children's paperbacks at an independent bookstore. As a kid I loved "Corduroy," Freeman's beloved tale of a department store bear in search of his missing button. But for some reason I'd never encountered "Fly Low, Fly High" -- perhaps because I grew up in the Midwest?

This San Francisco-centric picture book is a natural for most any child, but especially those in Bay Area, who will enjoy the bird's eye view of familiar landmarks:

By noontime Sid and Midge could be seen sailing high
in the sky, flying into one cloud and out the other.
Side by side the glided over the bay
until they could look down and see the Golden Gate bridge.

Sid would swoop and fly through the open arches just
to show Midge what a good looper he was...

Grrrl engine power!

The Little Engine that Could
Retold by Watty Piper
Illustrated by George & Doris Hauman
1930, Platt & Munk

Being 2, my daughter emerges into actual personhood a bit more each day. Lately I have been irrationally proud of her, to the point where I sometimes get weepy, just remembering some little thing she did or said. Today, it was her response to this beloved classic.

Like most every toddler across America, Rosie is having a train moment. So she warmed to "The Little Engine" before we even cracked the front cover.

"OH!," she pointed. "A TRAIN!"

(Please note: genius in the making.)

Fully supportive of this story and all it represents, I had been excited to find a library copy purporting to be the complete, original edition. But I soon understood why abridged versions abound -- for adults, there's something truly tedious about the pacing, which repeats the exact same, not-so-melodious phrases as various engines arrive and then reject the stranded toys' pleas for help. Worse, their chief spokesman is the "little toy clown," a moniker that doubles as an ugly little tongue twister.

Notice I said "for adults." As every parent knows, kids have a frightening appetite for repetition. If the first round is good, the second time is even better, and the third exponentially so, so that when the fourth iteration arrives, ecstasy ensures.

Having slogged through the middle section of the book, we now arrive at the payoff: One's audience leaning forward, clapping, beaming with delight and ultimately chiming in as the title character (a lady engine, by the way) hitches herself to the stranded train and slowly begins her journey over the mountain:

Puff, puff, chug, chug, went the Little Blue Engine.

"I think I can -- I think I can -- I think I can -- I think I can..."

A lullaby in text

Big Red Barn
By Margaret Wise Brown
Pictures by Felicia Bond
Text copyright 1956
HarperFestival board edition, 1995

The first time I read "Big Red Barn" to my daughter, I fell in love. Each word on each page is chosen perfectly, the resulting story as smooth and comforting as a baby blanket's satin edge, worn from sliding between tiny fingers.

From the pink pig who squeals in the opening pages to the little black bats who flee the barn at sunset, this quiet tale makes an ideal bedtime story. Its lulling rhythms can visibly sedate my pumped-up toddler. And in our board book edition, the illustrations grow progressively dimmer, so that the scarecrow on the final page is lit only by the moonlight that hits his shoulders and hat. (Even now, thumbing through the pages, I keep yawning).

Brown, I learned from her posthumous Web site, at one point had over 100 books in print, most of them for kids. She employed a half-dozen pen names and as many publishing houses, carried scraps of paper everywhere and sometimes awoke in the morning rushing to jot down stories that arrived in her dreams.

Brown is best known for "Goodnight Moon" and "Runaway Bunny," classics that all children should hear many times to awaken their imaginations and sense of wonder. If you would like your little one to also grow up with an ear for the beauty of words, repeat recitations of "Big Red Barn" could only help:

When the sun went down
In the great green field,
The big cow lowed,
The little pig squealed.

The horses stomped in the sweet warm hay,
and the little donkey gave one last bray...

Si se puede!

Click, Clack, Moo: Cows That Type
By Doreen Cronin
Pictures by Betsy Lewin
2000, Simon and Schuster
A Caldecott Honor book

Rosie surprised me tonight by requesting this book by name, pressing its title into service as a verb:

"Mommy, I wanna Click Clack Moo."

Her emerging ability to ask for things has proved a mixed blessing, but in this case I didn't have to feign bafflement. I wanted to Click Clack Moo, too.

Our copy of this subversive picture book arrived before Rosie herself did, via a coworker at my baby shower. I liked it right away, largely for its thinly veiled socialist agenda.

For the uninitiated: A group of milk cows find an old typewriter in the barn, and use it to demand a raise (in the form of electric blankets). When management (Farmer Brown) stonewalls, they go on strike, soon enlisting support from the local Teamsters (the farm's brigade of laying hens) to increase their leverage.

In the end, not only do the workers prevail, but they manage to hand over their typewriter to the farmyard ducks. Tell the whole barn world, this is union territory!

Seriously, I'm surprised this title hasn't already landed atop some think tank's list of "Most Dangerous Story Books in America." Or gotten banned from some school library, thereby cementing its claim to greatness.

Please random outraged person, try to ban this book!

The cows held an emergency
meeting. All the animals gathered
around the barn to snoop, but none of
them could understand Moo.

All night long, Farmer
Brown waited for an
answer...

An alphabet book that rolls off the tongue

Little Bitty Mousie
By Jim Aylesworth
Illustrations by Michael Hague
2007, Walker Books for Young Readers

Thanks to a low display at the library, Rosie chose this book herself this weekend.

What made her stop and covet? She declined to elaborate, merely repeated, increasingly insistent, "I wanna read this book, Mommy. I wanna read this one. This one." (Alright already, kid. No need to get whiny.)

My own guess: 1. She liked the colorful cover, which practically screams "Yo, little one! Check me out!" 2. She noticed the book was unusually shiny, thanks to the plastic overwrap that marks it as a new addition to the branch's collection. And/or 3. She could reach it.

Luckily, Rosie's impulse grab turned out to be highly enjoyable. Unlike most ABC books, "Little Bitty Mousie" puts plot first, as its title character, clad in a polka-dot pinafore, explores a sleeping household. She discovers shiny Apples, a stick of Butter, a plate of Carrot, and... you get the idea.

Predictable? A little, but neither yak nor zebra make appearance in the final pages.

Hague's whimsical, color-saturated drawings would be enough to sustain any bedtime reader. But Aylesworth, a long-time first-grade teacher, also has a gift for crafting rhythmic stanzas that are a joy to read. And before long, the playful refrain inspired my little one to gleefully chime in:

She ate the "H" from "Happy"
On a chocolate birthday cake.

Her fur got full of Icing
And it wasn't by mistake.

Tip-tip tippy tippy
Went her little mousie toes.
Sniff-sniff sniffy sniffy
Went her little mousie nose...